Conceptual
In an age of pervasive intellectuality the interface between concept and art becomes imperative. I have explored this realm in search of a new language that allows new meanings to emerge.
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Buddha in Honey
Buddha in Honey resulted from my experimentations with honey as an artistic medium. I followed a sudden impulse to submerge the sculpture of the Indian saint in honey and documented the result in a series of slides. The sublime master of the inner life and the exalted substance of nature combined into a visual meditation on a new ecology that integrates inner and outer, soul and nature.
Honeyclock
The Honeyclock was my contribution to the time-emit exhibit at the Moore's building in Fremantle in 2001. The Honeyclock is a metamorphosis of the medieval hourglass into a time-piece that measures time as a flowing rhythmic quality, rather than a quantitative accumulation of separate parts.
Stamps and Logos
Planetary Print - a stamp with adjustable constellations and planet signs that mirror the planetary configuration of the day (to be used with bio-dynamic planting calendar).
The eARTh logo stands for transformation of the whole earth into an artwork. It is a metamorphosis of the Celtic cross (the cross with the circle) and holds strong Rosicrucian resonances.
The TIME-EMIT logo developed out of the TIME-EMIT exhibition. The message is the same as in Honeyclock, but formatted in word-art.
The exchange logo is a meditation on continuity, the 'perpetuum mobile' of give and take that sustains both nature and culture.
Sophia's notebook
A visual diary accompanying my studies for a new ecology/ecosophy. Work in progress.
Alphabet of the Bees
A collection of wax-plates with sign language fitted into hexagonal fields, waxwork in memoriam of the honey bee.


























































